Element:
Water Water

Jì Jì [63]

Yin line Yang line Yin line Yang line Yin - controlling line Yang line

Consumation
Sated

completion, perfect order

Fire
Water
Wèi Jì [64] Unfinished; Almost complete
Opposite, Inverse and Mutual

month Month 10 ; Host or Controlling line : 2
济: , , 终乱. Jì jì: hēng, xiǎo lì zhēn, chū jí zhōng luàn.

Ji Ji intimates progress and success in small matters. There will be advantage in being firm and correct. There has been good fortune in the beginning; there may be disorder in the end.

: 济, , . , . , 柔. 终则乱, . Tuàn zhuàn: Jì jì, hēng, xiǎo zhě hēng yě. Lì zhēn, gāng róu zhēng ér wèi dāng yě. Chū jí, róu dé zhòng yě. Zhōng zhǐ zé luàn, qí dào qióng yě.

‘Ji Ji intimates progress and success:’ - in small matters, that is, there will be that progress and success. ‘There will be advantage in being firm and correct:’ - the strong and weak (lines) are correctly arranged, each in its appropriate place. ‘There has been good fortune in the beginning: - the weak (second line) is in the center. ’In the end‘ there is a cessation (of effort), and ’disorder arises:‘ - the course (that led to rule and order) is (now) exhausted.

: , 济; 预防. Xiàng zhuàn: Shuǐ zài huǒ shǎng, jì jì; jūn zǐ yǐ sī huàn ér yù fáng zhī.

(The trigram representing) fire and that for water above it form Ji Ji. The superior man, in accordance with this, thinks of evil (that may come), and beforehand guards against it.

young yin young yang young yin young yang young yin changing yang
I Ching transform
Water
Mountain
Jiǎn [39] Obstruction; Hardship
Change
: 曳轮, 濡尾, . Chū jiǔ: yè qí lún, rú qí wěi, wú jiù.

The first ‘nine’, undivided, (shows its subject as a driver) who drags back his wheel, (or as a fox) which has wet his tail. There will be no error.

: 曳轮, . Xiàng zhuàn: Yè qí lún, yì wú jiù yě.

‘He drags back his wheel:’ - as we may rightly judge, there will be no mistake.

young yin young yang young yin young yang changing yin young yang
I Ching transform
Water
Heaven
[5] Halting; Needing
Change
: 茀, 逐, . Liù èr: fù sāng qí fú, wù zhú, qī rì dé.

The second ‘six’, divided, (shows its subject as) a wife who has lost her (carriage-)screen. There is no occasion to go in pursuit of it. In seven days she will find it.

: , . Xiàng zhuàn: Qī rì dé, yǐ zhōng dào yě.

‘In seven days she will find it:’ - for the course pursued is that indicated by the central position (of the line).

young yin young yang young yin changing yang young yin young yang
I Ching transform
Water
Wood
Zhūn [3] Inhibition; Beginning
Change
: 宗伐, , 用. Jiǔ sān: gāo zōng fá guǐ fāng, sān nián kè zhī, xiǎo rén wù yòng.

The third ‘nine’, undivided, (suggests the case of) Gao Zong, who attacked the Demon region, but was three years in subduing it. Small men should not be employed (in such enterprises).

: , 惫. Xiàng zhuàn: Sān nián kè zhī, bèi yě.

‘He was three years in subduing it:’ - enough to make him weary.

young yin young yang changing yin young yang young yin young yang
I Ching transform
Lake
Fire
[49] Revolution; Renewal
Change
: 繻袽, 终戒. Liù sì: xū yǒu yī rú, zhōng rì jiè.

The fourth ‘six’, divided, shows its subject with rags provided against any leak (in his boat), and on his guard all day long.

: 终戒, . Xiàng zhuàn: Zhōng rì jiè, yǒu suǒ yí yě.

‘He is on his guard all the day:’ - he is in doubt about something.

young yin changing yang young yin young yang young yin young yang
I Ching transform
Earth
Fire
Míng Yí [36] Overshadow; Darkening
Change
: , 西禴祭, . Jiǔ wǔ: dōng lín shā niú, bù rú xī lín zhī yuè zhài, shí shòu qí fú.

The fifth ‘nine’, undivided, shows its subject (as) the neighbor in the east who slaughters an ox (for his sacrifice); but this is not equal to the (small) spring sacrifice of the neighbor in the west, whose sincerity receives the blessing.

: , 西; , . Xiàng zhuàn: Dōng lín shā niú, bù rú xī lín zhī shí yě; shí shòu qí fú, jí dà lái yě.

‘The slaughtering of an ox by the neighbor in the east is not equal to (the small sacrifice of) the neighbor in the west:’ - because the time (in the latter case is more important and fit). ‘His sincerity receives the blessing:’ - good fortune comes on a great scale.

changing yin young yang young yin young yang young yin young yang
I Ching transform
Wind
Fire
Jiā Rén [37] Relationship; Domesticity
Change
: 濡, . Shǎng liù: rú qí shǒu, lì.

The topmost ‘six’, divided, shows its subject with (even) his head immersed. The position is perilous.

: 濡, . Xiàng zhuàn: Rú qí shǒu lì, hé kě jiǔ yě.

‘His head is immersed; the position is perilous:’ - how could such a state continue long?

This translation of the YiJing classic text uses the original Chinese including the Xiàng zhuàn commentary converted to modern simplified characters and pinyin. The English translation is based on William Legge (1899) which is now out of copyright. We have changed some wording and converted to American spelling. We hope to replace this with a more modern translation.
In the first few paragraphs each gua is described. The name of the gua (hexagram) is followed by the two trigrams that make it up (lake, mountain, fire, water, earth, heaven, thunder and wind). Each gua has a controlling element (earth, fire, water, metal and wood). After this information there are three related guas. The Opposite gua is the one where all yang is changed to yin and yin to yang - it is usually opposite in meaning. The Inverse gua is the gua with the order inverted so first is last and vice versa. The mutual gua is a more complex combination and re-ordering of the internal trigrams making up the gua. Then the association of the gua to the annual cycle is shown - this is the Chinese lunar month number (not Western month). The controlling or host yao is considered the most important line in the gua and is highlighted in the hexagram.
The main description for the hexagram is then followed by a section for each of the six possible changing lines which indicate the transformation into another, related gua. The text uses ‘nine’ to refer to a yang line and ‘six’ for a yin line. The pure yin and yang hexagrams have, however, a different text structure as they are so important.

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