All animals are classified into five groups: scaled animals are led by the dragon, naked creatures by man, furry animals by the unicorn, feathered birds by the phoenix and shelled creatures by the turtle. As there are five classes and there are also five directions they are associated with each other: dragon: east; phoenix: south; unicorn: west; turtle: north and humans: center.
Another set of five animals are the five noxious creatures: snake, centipede, scorpion (or spider), gecko (or lizard) and toad. Here are some animals that are noted for their symbolism in Chinese art:
Ants are hard-working and well-ordered. The second part of the name (yi) means righteous, denoting its apparent display of Confucian virtue which is homo-phonic with 义 (old form 義) yǐ ‘respectful manner’.
The black ant was considered useful as it attacks the dreaded white ant (termite) 白蚁 bái yǐ which eats away at anything wooden. Although hard-working it is considered self-interested and so is sometimes used proverbially for selfishness. The ant is rarely portrayed symbolically in works of art.
The giant turtle (or sometimes fish) ‘Ao’ features in some creation myths. In China there was a view that the whole Earth was on the back of a giant turtle. There is a long association with turtles acting as stabilizing creatures as they are so firmly rooted to the ground. They are thought to eat fire and so may feature as a figure on the end of a roof ridge to help keep fire away.
The Ao Shan (mountain) was considered to lie in the ‘Isles of the Blessed’ to the East of China. As an example of its symbolic power the leading scholar in the examinations was called an ‘Ao’ and so pictures wishing good luck in exams may feature a turtle.
Badgers in a picture symbolize happiness because 獾 huān sounds just the same as 欢 huān ‘joyous, happy, pleased’, badgers are often portrayed together with magpies as they also give the wish for happiness.
The Chinese have long known that bats are flying rodents. Bats are welcome arrivals because they eat huge numbers of flying insect pests. They are also known as 天鼠 tiānshǔ ‘sky rat’ and as 附翼 fùyì ‘embracing wings’. As they hibernate in caves there are legends about white bats that live for a thousand years and their body parts have been used in traditional medicines for longevity.
However their main importance has come from a linguistic coincidence; the character for bat 蝠 fú sounds the same and looks similar to 福 fú ‘good fortune’ and so bats are commonly seen as decorations on ornaments and as motifs in paintings to wish good luck. Two bats symbolize double happiness. The five blessings of life (health, wealth, virtue, long life, peaceful death) are often represented by five bats sometimes surrounding the 寿 shòu emblem for longevity. Rúyì 如意 is a good luck charm that can be drawn in a shape like a bat's wings.
Bees are not often used in paintings but if they appear they can represent, when combined with a monkey (猴 hóu), aspiration to high office as 封 fēng means ‘bestow high office’ and 侯 hóu ‘a marquis’. If bees are shown with peony flowers this shows a young man seeking love.
The character for bee is composed of the insect radical with the character for awl to represent its sharp sting. The wild Chinese bee is smaller and less ferocious than other bee species. The art of bee-keeping was considered a hobby and honey a luxury food. Chinese traditional bee hives were hour-glass shaped with a narrow central opening just large enough to let one bee through.
For all about phoenixes, pheasants, parrots, doves and many other birds please see our section full of birds.
Butterflies, as things of beauty and summer warmth, are often found in Chinese paintings. Sometimes a butterfly seeking flowers symbolizes a young man's quest for love. In particular a butterfly and plum blossom mean a quest for blissful love.
Because 耋 dié ‘elderly, over eighty’ sounds the same, it can also symbolize a wish for long life. This symbolism is re-enforced by a cat: 耄 mào because mao also means 耄 mào ‘aged eighty or more’.
The most famous Chinese butterfly is the one in the vision of the Daoist philosopher Zhuangzi. Was he dreaming of life as a butterfly or a butterfly dreaming life as a man? A different story about this incident has him, less poetically, chasing a butterfly and stumbling into the grounds of a house where he sees a lovely young lady with whom he falls in love.
A carp symbolizes a favorable wish as it sounds similar to 利 lì ‘favorable, benefit, advantage’ and 力 lì means ‘strength, power’. It has long been associated with wishing success in the state examinations. If a candidate was successful at the exams at Beijing he could buy a boat trip back home from the travel agents on nearby ‘Carp Street’ 鲤鱼胡同 lǐ yú hú tòng. Carp swim hard and leap up the currents in the Yellow River at the Dragon Gate ➚ rapids, Shaanxi and so it is associated with endeavor and determination. According to legend ‘Dragon Gate’ (龙门 lóngmén is where a carp was transformed into a dragon and that took on the meaning of passing the examinations and becoming a powerful and rich government official: 鲤鱼跳龙门 lǐ yú tiào lóng mén ‘may you gain quick success’. Wang Xiang (王祥) is an example of filial piety, he was unable to procure carp to provide medicine for his father and his evil step-mother, so he sat and wept on a frozen river for so long that his tears melted a hole in the ice opened and two carp sprang out of it.
The goldfish (a kind of carp) 金鱼 jīn yú is a symbol for ‘an abundance of wealth (gold)’ often shown with a lotus.
With so many cute and cuddly cats on the Internet it is perhaps surprising that cats generally have a poor traditional image in China. It should be remembered that cats were kept for pest control and not as pets. They were particularly important for controling the rats that ate the silkworms and hence another name ‘silkworm cats’ 蚕猫 cán māo. The character for cat shows an animal and a field of grain, suggesting its role as vermin catcher.
As in Western culture a cat has some more sinister associations. It can see spirits in the dark and should be cremated and not buried as it could turn into a demon. The arrival of a strange cat to a house bodes ill as it was thought that the cat could sense that misfortune will fall and the house will become dilapidated and soon home to only rats and mice.
The similar sounding mào耄 means someone in 80s or 90s so a picture of a cat may symbolize a wish for long life.
The centipede is one of the five noxious creatures and as such is associated with powerful magic potions. It is considered the enemy of the snake but is readily eaten by hens. The Dragon Boat festival (mid summer) was a time to brush away centipedes from the home.
The cicada is a potent symbol of immortality due to its life cycle, they emerge as if by magic out of the ground after many years living unseen as a grub eating roots. The symbol of an idealized cicada denotes a wish for immortality and a jade cicada was placed in the mouth of the deceased. Male cicadas were kept as pets in a small box as they ‘chirp’ noisily to attract females.
The closely related insect, the cricket 蟋蟀 xī shuài, was captured and used for a cricket duel between two males; bets were placed on which insect would win. A cricket can therefore symbolize summer and conflict. The keeping of a cricket (or cicada) was used as a symbol of significance in the film about the The Last Emperor Puyi.
The crab is often used symbolically as the name sounds the same as 燮 xiè ‘harmony, blend in’. There is an ancient legend that some ancient crabs were originally made of jade. The crab’s protective shell 甲 jiǎ also means ‘first’ - it is the first heavenly stem and so expresses the wish to come first - particularly in examinations.
The graceful and beautiful deer is not included in the Chinese zodiac but does feature in paintings. It symbolizes longevity and riches as deer were believed to live to a great age. 禄 lù means ‘good fortune’ and ‘government salary’, and 璐 lù is also another word for ‘precious jade’. The god of longevity is often shown accompanied by deer; as it was reputed to be able to locate the herbs of immortality. The character for deer is used within the character 丽 lì ‘beautiful; elegant’ it shows a deer decorated with two pendants, but this is only really evident in the old form of the character 麗. Stag's horn when finely ground up is used in traditional medicine because of the association with long life.
The yak was considered a kind of deer, although it is actually a kind of cow (Bos mutus) and due to its strange features was one of the ‘four dis-similars’ 四不像 sì bù xiàng as it has a stag’s horns, a camel’s body, ox’s feet and an ass’s tail.
There is a popular legend about devotion to parents concerning deer. Zhou Yanzi ➚'s father grew sick and the only cure was deer’s milk, so Zhou Yanzi disguised himself as a deer by covering himself with a deerskin and joined a herd so he could milk a doe. This act makes him one of the 24 examples of filial piety often portrayed in paintings and on porcelain.
Dogs get a mixed treatment in China. They have been farmed for meat in the south and for fur in the north and yet the famous Dowager Empress Cixi was devoted to her Pekingese dogs ➚ and they are honored by a position in the Chinese zodiac. In northern China paper dogs were thrown into water on the fifth day of the fifth month to drive away evil. In this sense a dog accompanies the god Erlang to drive out demons.
The ancient character 犬 quǎn is also used for ‘dog’. It is a common radical used for many animals with four legs. Yellow dogs 黄狗 huáng gǒu are sometimes colloquially called ‘wonks ➚’ in the south. A dog that approaches you with its tail wagging is a good sign as it foretells the coming of wealth. The Han Emperor Ling 汉灵帝 (168-189CE) is reputed to have became besotted with dogs, elevating one to a high official rank.
The Pekingese lap dog received high favor because it resembled a miniature lion, and they were bred to be as lion-like as possible. In southern China a dog's faithfulness is highly valued. Examples of extreme loyalty of a dog to its master are noted in legends. Some of the minority people in southern China were believed to be descended from dogs because of their fierce barbarity.
With frequent, widespread famines in China the donkey was at times eaten as well as used as a beast of burden. It was a common sight in northern and central China busy plowing the fields or carrying heavy goods. Unlike its close relative the horse it is not in the Chinese astrological zodiac or ancient texts; this suggests it came quite late to China, probably in the Han dynasty. It is associated with poor people and ascetic hermits. Just as in Europe the donkey has an undeserved reputation for stupidity.
One of the eight Daoist Immortals Zhang Guo Lao is often depicted riding a magic donkey which was made of paper so he could fold it up and store it in his bag.
Dragons are so important and pervasive in Chinese culture we have dedicated a whole section to this flying animal. In brief summary, the dragon is the mightiest of creatures, master of rain and water and usually good natured. It has its place in the astrological years and serves as a symbol principally of the Emperor and therefore the top of the pyramid of animals.
Ancient belief ties the dragon to the bringing of life-giving rain in the form of master of the storm clouds. In appearance it is more serpent-like than the Western version and is usually portrayed among the clouds.
The ferocious and veracious predator of other insects, the dragonfly is considered a friend to people.
It is an emblem of summer as they overwinter in the form of grubs and their temporary existence in the air can symbolize fleeting moments. As it sounds the same as 清 qīng it is used to symbolize purity. It was believed in ancient China that the wind gave birth to insects as they seem to come in waves borne by storms. The old form of the character for wind 风 fēng was 風 denoting an insect in the air.
Elephants used to roam throughout most of China but are now restricted to the mountains of Yunnan.
Tales from ancient times occasionally mention the mighty elephant; the legendary Emperor Shun is portrayed plowing with an elephant and heroes were shown riding one. Marco Polo reported that the Great Khan (Kublai Khan) traveled in a great wooden room built on the backs of four elephants. Stone elephants often stand on the Sacred Ways to tombs.
The Imperial Elephant Stables 象房 xiàngfáng stood near the Xuanwumen Gate in Beijing. Elephants were used in key Imperial ceremonial processions and came from Vietnam and Burma. On the sixth day of the sixth month the keepers took the elephants for a thorough wash in the moat surrounding the city wall.
Chinese Chess is called is called ‘Elephant Game’ in Chinese 象棋 xiàng qí as one of the pieces is called an elephant that moves a bit like a bishop in Western Chess. Elephant 象 xiàng sounds the same as 想 also means ‘think’ or ‘ponder’ which seems very appropriate for both the game of chess and the ponderous animal.
Riding on an elephant symbolizes happiness 骑象 qí xiàng as it sounds like 吉祥 jí xiáng ‘auspicious’; to reinforce the motif, the cloth on the elephant’s back often has the symbols for good fortune. A vase and an elephant gives the wish 太平有象 tài píng yǒu xiàng ‘great peace and security will soon appear’ (as vase 瓶 píng sounds the same as ‘peace’).
Ivory has been used for thousands of years for carved ornaments and the import of African ivory through Hong Kong is still an active but illegal trade. When they were plentiful the trunk was considered a culinary delicacy and the hide was used to bind serious wounds. The wider distribution of elephants in China and the Indian origin of Buddhism has led to many Buddhist associations with elephants. Ganesha ➚ is a Hindu god who is portrayed with the head of an elephant.
Fish symbolize a wish for abundance and affluence, this is one of the best known homophones as 余 yú meaning ‘surplus’ so a child with a fish symbolize a wish for extra children. A goldfish 金鱼 jīn yú is a standard symbol for ‘an abundance of gold’. Chinese people have for a long time kept fish as pets in ponds and bowls.
Fish were a very important part of the ordinary diet of the Chinese, as fish rather than meat provided the protein. The lower Yangzi river, in particular Jiangsu is known as the ‘land of fish and rice’ with its many lakes and rivers.
Fish are often eaten at the Spring Festival symbolizing a wish for abundance in the year to come. If shown with a lotus blossom it conceals the wish that the surplus should last for years because 莲 lián ‘lotus’ sounds the same as 连 lián ‘successive’.
There are legends of drunken men turning into fish demons, who could be unmasked because they need to bathe each day. Because fish breed prolifically and are frequently seen in pairs they can symbolize marriage and wish for many children. Fishermen 渔夫 yú fū are a respected profession set above merchants and officials as they gather food. The art of government has been likened to the art of fishing as it requires both patience and careful observation. There is a legend that Emperor Fuxi learned the art of fishing and invented the fish trap.
While many creatures in the West have a worse reputation than in China for example rats; pigs and dragons, for the fox it is the other way around. In the West a fox is admired for its cleverness and determination, in China it has a much more evil connotation. It is reputed to live to a great age, when it reaches fifty it can turn itself into a woman, at hundred a seductive girl and at a thousand it becomes a powerful god with nine tails.
The association with spirits may originate from the observation that foxes raided graves for the food laid out for the ancestors, and so were thought to be the departing spirit of the deceased. The fox spirit had to be appeased with offerings. Another superstition is that even the writing of the character for a fox is unlucky so the homophone 胡 hú is used instead.
The gecko is a common sight in Chinese houses, scampering over the walls and ceilings to catch insects. The name denotes its hunting skill, it means ‘wall tiger’. It is considered one of the five poisonous creatures and so a mixture of all five together was very potent. Another powerful potion was prepared by feeding a gecko on cinnabar for a year; the pounded remains were then applied to the skin to both detect and protect against infidelity.
The glow-worm (Lampyris noctiluca) is common across from Europe into Asia, it is the female that gives the brightest glow to attract males. Symbolically it stands for beauty and loyalty.
In a tale mentioned in the Three Character Classic, 车胤 Chē Yìn was too poor to use a lamp, in order to study the classics and pass the Imperial examinations he collected many glow-worms so he could see to read at night. He went on to pass the exams and became a senior government official.
The hare in China is not generally distinguished from its close relative the rabbit, so ‘hare’ and ‘rabbit’ are used interchangeably. The hare has its place in the astrological zodiac of twelve animals. It is associated with the moon, the Jade Rabbit 月兔 Yùtù was the name of the Chinese moon rover that landed in 2013. It was thought that the gray shape on the moon is the form of a hare which is mixing the elixir of immortality, and this associated the hare with longevity. A man with a hare's head surrounded by six boys represents the Moon Festival (Zhongqiujie 中秋节) at full moon in the eighth month. A red hare is an auspicious animal and appears when rule is virtuous. There are legends that a hare becomes pregnant by gazing at the moon or just licking the fur of the female.
The character for injustice, oppression 冤 yuān is made up of the character for a hare under a cover, suggesting this wild creature, in particular, does not enjoy incarceration.
Horses as pasture animals feature more in China in ancient times when the center of civilization was further north around the Yellow River. Horses came from Central Asia, Mongolia and Tibet . In the ancient Yi Jing the horse represents 'yin' compared to the dragon 'yang'. The god of war Guan yu (Guan di) rode a red-haired horse. It is associated with the element metal and west.
The character 马 mǎ is a pictogram of a rearing horse, perhaps clearer in its old form of 馬. The legendary 穆王 Mù wáng of the Zhou dynasty is often portrayed in paintings. Eight horses drew his chariot with which he toured the provinces.
In the Tang and Mongol dynasties - both peoples from the northern pasture lands - horses were greatly admired animals and appear in a wide range of artwork. Horse meat was and is still eaten in China.
In symbolism a horse laden with goods is a wish for a government post. It often also indicates swiftness. A monkey 猴 hóu on horse back expresses the wish for promotion quickly as 侯 hóu is a noble rank and 马上 mǎ shǎng ‘on horseback’ is a metaphor for ‘arrive quickly’. A picture of an official on horseback under a canopy and accompanied with nine other people, commemorates the legend of Liang Hao (Song dynasty) who passed the Imperial Examinations at the age of 84, a symbol of dogged determination.
Although the lion has never dwelt in China, it is a common art motif with lion statues guarding the entrances to temples. The character contains the homophone 师 shī which means ‘master’ combined with the ‘animal’ radical.
Although some lions were given to the emperor as tribute from vassal kingdoms most knowledge of the beast came indirectly so representations are often more like pet dogs than fierce cats. The lion is usually depicted resting on the ground with forefeet pointing outward and is mostly associated with Buddhism. At entrances to temples the lion on the right is male and holds a ball in its paw while the left lion is female and holds a cub. A pair of lions symbolize happiness and wish for a prosperous career.
Lion dances (狮子舞 shī zi wǔ) often have the lions chasing a ball (毬 qiú) and two lions chasing a ball is a common motif similar to two dragons chasing a ball. The lion dance was traditionally associated with the Lantern festival but is now seen generally at most Chinese festivals. If the dancing lion can be enticed into a home it will bring good luck.
The monkey is seen a cheeky, irreverent creature in China always bringing fun and laughter. Monkeys live in central and southern China but not in the north. It has a high place in the zodiac of twelve animals. The character for monkey 猴 hóu has a man shooting an arrow at a target, representing a nobleman, adding the ‘dog’ radical turns it into the prince of animals: the monkey. In southern China some minority people were presumed to be the descendents of monkeys. Monkeys were considered able to drive away evil spirits and for this reason were worshiped and tolerated near houses.
The most famous monkey character is the Monkey King 孙悟空 Sūn wù kōng who features in the ‘Journey to the West’ which is the most famous tale in China made into numerous films. A legend has a monkey stealing the peaches of immortality from the garden of the Queen Mother of the West (Xi wang mu) and so a monkey is often depicted carrying off a peach.
A monkey riding on a horse expresses the wish for quick promotion as 侯 hóu is a noble rank and 马上 mǎ shǎng ‘on horseback’ is a metaphor for ‘arrive quickly’. A bee or wasp 蜂 fēng may be included as to make the phrase 马上封候 mǎ shàng fēng hòu (feng means ‘grant title’). Two monkeys in a pine tree symbolize a wish for promotion to last many generations.
The ox has for centuries toiled in the fields of China. The same character niu is used for oxen; water buffalo as well as cattle. The Emperor Hongwu founder of the Ming dynasty had humble origins and a boy riding an ox/water buffalo may represent him.
Because it is such a useful animal some Chinese will not eat beef, although this custom may come from the India because of the ban in both Hinduism and Buddhism. It is an animal of proverbial strength and water buffalo are often associated with rivers and water. Beef tea has for long been a potent medicinal tonic.
The panther (and the same character denotes leopards as well) symbolizes the taming of cruelty. It was an uncommon animal in China and does not feature greatly in paintings. If portrayed with a magpie ( symbolizing joy), the panther can stand as a homophone for 报 bào meaning ‘announce; herald’ so together they give a wish for joy.
The pig has long been domesticated in China. It is one of the twelve zodiac animals. It is a very widely eaten meat - except by the sizable Muslim population. A legend has it that the founder of the Khitan people of northern China had a pig's head and so the Khitan people would not eat pork.
The character for pig is used as part of the character for home 家 jiā, it show a pig under a roof, as the animals used to live with the family in rural homes. A superstition to protect new born babies was to give them pig's trotters for shoes and a pig head mask so the demons would think it was a pig not a human and leave them alone.
The ferocious wild boar 野猪 yě zhū used to live in the dense forests along the Yangzi and attack farmers and eat their crops.
The rat is rather surprisingly the first in the cycle of twelve zodiacal animals, the story goes that a rat was smart enough to jump on the back of the ox to jump to the head of the queue of animals when they were being named. The character for rat 鼠 shǔ is a pictograph showing its head, tail and whiskers. The mouse is called 小鼠 xiǎo shǔ ‘little rat’ in contrast to 大鼠 dà shǔ ‘big rat’, the mouse plays little part in legends and superstitions.
The constant activity of rats has been paralleled with the acquisitive action of misers and so rats are associated with money. In one legend it was rats that brought rice to people's attention as a nutritious food. However it is also thought they can turn into demons; some legends have them becoming quails at spring time.
If rats move into your house it is a bad sign as cats will follow and it indicates the house will soon be derelict and abandoned. Not so long ago the local rat catcher would demonstrate his skill by laying out bundles of rat corpses on the street.
Sheep are one of the twelve animals of the Chinese zodiac. The character can represent either ‘sheep’ 绵羊 mián yáng or ‘goats’ 山羊 shān yáng. The sheep is a creature of northern rather than southern China although Guangzhou is known as the ‘City of Rams’ due to a legend about the populace being relieved from famine by the kind intervention of magicians mounted on rams.
As it sounds the same as 阳 yáng it can be used to symbolize the male principle 'yang' and the sun. The character is an ancient pictogram of the animal showing its horns and body as seen from above. Rather sadly the character for lamb 羔 gāo is the character for sheep held over a fire. Combining the character for sheep and ‘large’ 大 dà gives a more kindly attribute - the character for 'beautiful' 美 měi.
A snake is one of the twelve astrological year animals. Snakes are considered wise and cunning but treacherous. As a snake sloughs its skin it may symbolize transformation. There are not that many venomous snakes in China, the few that remain are in Guangxi, Yunnan and Guangdong. There is a legend of the 白蛇 bái shé ‘White snake’ in Hangzhou that transformed into a woman who then married a man, a monk who then saw through her disguise and had her confined to a pagoda but not before a son was born who rose to become a great scholar.
The meat of the snake is eaten quite widely and it is a common ingredient in traditional medicine particularly snake liver. Snakeskin is considered a lucky charm.
The spider is considered a lucky creature because it dangles from its web on high and so symbolizes good fortune descending from the heavens. Another auspicious connection comes from the name for spider 虫喜子 chóng xǐ zǐ because 喜 xǐ means ‘happiness, delight’. It may specifically signify the return home of a son. On the negative side it sometimes takes the place of the scorpion in the tally of five noxious creatures.
The tiger is the chief of wild animals and used to be widespread in China. It was useful as it kept down the population of wild pigs. It is a zodiac animal and represents bravery. The character ‘hu’ sounds the same as 护 hù meaning ‘protect’ and so a tiger is a powerful protective motif. It was considered to have the power to keep away demons. As such tiger symbolism was used in the First Opium War to keep away foreign devils. The God of Wealth sometimes rides on the back of a black tiger.
It was heavily used as a military emblem with soldiers wearing tiger suits to frighten the enemy. Because it is such a powerful animal many parts of the tiger were considered equally powerful medicine and to this day tigers are hunted to supply the Chinese market for medicinal potions. As a tiger was supposedly never seen to limp, its bones were considered a cure for arthritis. On its death a tiger's body was at times considered to transform into orange amber. The White Tiger of the West 西方白虎 xī fāng bái hǔ is one the four divisions of the lunar month and day (mansions).
The term 蛤蟆 há ma can apply to either frogs or toads. With rice paddy-fields so widespread in rural China toads are a common sight as they love wet habitat and prey on the many insects. It is one of the five noxious creatures with geckos; scorpions; snakes and centipedes. On the more positive side, the similar sounding 娃 wá is a term for a baby, so can symbolize a wish for children.
Toads are also known as 蟾 chán and in some districts this sounds the same as 钱 qián ‘money, coin’ and so there is a strong association of toads with riches.
There is a legend that a three legged toad lives in the sun, although some say it is the moon. The same creature is said to be the companion of 刘海 Liú Hǎi the god of wealth, and because of this association the toad often symbolizes a wish for riches. Zhang Guo Lao, one of Eight Immortals is sometimes depicted as riding on a toad.
The humble tortoise is an important creature in Chinese mythology. A giant turtle, the 'Ao' is tie up with creation legends. Both tortoises and turtles are termed 龟 guī, the turtle is specifically termed 海龟 hǎi guī 'sea tortoise'. The original complex form of the character is 龜 shows a snake-like head with feet on the left side and tail below. The shape of its shell epitomizes the earth - the flat ground below and the vaulted sky above.
The turtle is often used as a memorial, a stone turtle sculpture has an engraved tablet in its back which lists the accomplishments of the deceased.
Many parts of the creature are used in traditional medicine, as it is such a well protected and long-lived creature. As it was never seen to mate it was considered that all tortoises were female. It is the chief representative of all shelled creatures. In pictures it represents the wish for a long life and also solidity. The Black Tortoise of the North 北方玄武 is one of the four divisions of the lunar year and day representing winter and the north. Tortoiseshell however comes from a Malay turtle and not tortoises.
A picture with a round disk and a tortoise symbolize certainty of long life as 璧 bì ‘jade disk’ sounds the same as 必 bì ‘must’. The markings on its shell have long been puzzled over, some say the eight trigrams were inscribed on the back of a tortoise, and also that the magic square ➚ was marked out on the Lo Shu turtle ➚. It was considered an attendant to the creator of the world Pan Gu. Because they have such long lives, they are considered to accumulate knowledge of the world and so turtle/tortoise shells were used in 'oracle bone' divination. The pattern of cracks that emerge when a heated rod was placed against the shell gave the 'answer' to the question that had been written on the shell. The shells give the earliest record of writing known anywhere in the World.
The Chinese unicorn shares some qualities with the Western version. It is a mythological animal that is peaceful and loving. Like the dragon it is such an important a creature we have a Qilin section fully describing it. It is the representative of all furry creatures such as deer, horses and cattle. Its infrequent appearances are auspicious and in a picture it conveys good wishes and in particular a wish for many children.
Wolves were fairly common in northern China so it is surprising that they did not acquire the rich symbolism and legends that animals such as the tiger and monkey have done. It is seen as a rapacious beast and as in Europe used to portray someone blinded by self interest and greed. Genghis Khan was reputed by the Chinese to be descended from a wolf. A wolf is considered to be a lecher and so a 色狼 sè láng is a ‘lecher’ or ‘pervert’.
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